Thursday, July 25, 2019

Thoughts...



God resides here. Under this beautiful ಗೋಪುರ, ಗರ್ಭ ಗುಡಿ . That passage has his foot steps, he does walk around. Oh! He's omnipresent... He's in those little ದೇವರ ಗೂಡು in your and my houses as well. He does walk around everywhere. Sometimes he paints the sky blue, sometimes red. Other times... a rainbow.. you name it, he has it! He's a ಕಲಾವಿದ. He knows what's right for you and me. He just put us out in his play, at times we play demons, and at the other times we play angels. Mid point? Cameo appearance. You see that? He does give us scope for adapting to different roles. Preparing us all for our highest good. You praise him, you blame him, nothing changes in his play. You believe it or not you're already in the characters he's put you in. If you're an atheist- that's your role here. If you're a believer, well that's just your role too. Don't get carried away. Chill. This all shall pass. Play your role. Pass on. Peace.

Via Blogspot for Android.
Just keeping the blog alive.

Tuesday, October 09, 2018

From Insta...

Sometimes,
Rather most often,
I feel disconnected from many people and many situations. I feel a void, I feel lack of information, lack of trust and lack of transparency.
Sometimes,
I be my own enemy,
I repel people who come close
And held people who want to repel.
Sometimes,
I see things aren't
What it is, and not even close
To what I had planned.
Not even a dot..
And then I look at the sky
Stare at the moon with no clue
I feel crippled.
I feel annoyed,
I feel loved,
I feel tied up.
I know,
I am all that is left
When I am in need of someone
Self sustainable survival.
.
Moon after a long time. :)

Monday, January 01, 2018

A cold winter night and it's memoir

No one is significant, no one is insignificant.”
                - KuVemPu (translated from “ಮಲೆಗಳಲ್ಲಿ ಮದುಮಗಳು")
Preface:
2017 marks the 50th anniversary of Kannada receiving its first Jnanapith for Sri Ramayana DarshaNam authored by Rashtra Kavi KuVemPu, and so does his novel “ಮಲೆಗಳಲ್ಲಿ ಮದುಮಗಳು" (MalegaLalli MadumagaLu) a novel described by many as the finest novel in Kannada literature till date.  29th December 2017 marks KuVemPu’s 113th birth anniversary. To mark all these memorable spirits Bengaluru Centre of the National School of Drama and the Department of Kannada and Culture are jointly presenting the fourth edition of the theatre adaptation of this 750 pages- magnum opus by KuVemPu, starting 29th December all upto 31st Jan 2018.

When a friend of mine sent a poster of ಮಲೆಗಳಲ್ಲಿ ಮದುಮಗಳು pure theatre show, at Kalagrama, Bengaluru, I wasn’t sure if I will book my tickets and be present there on 29th night of December. It wasn’t easy for me to decide on -“9 hour long play all throughout the night”, that too in an open to air theatre. But yes, I took a chance and felt “adventurous" in spending a night in open air, far from home in a crowd of unknowns.  I took my sister along and the friend was there too.


First- hand experience:
Typical village set - stage 2
158 characters, 58 scenes, 30 songs and 70 artists from different districts and dialects unfolded the novel in 4 massive open air stages set at Kalagrama - meaning we (audience) need to move along with the play to all 4 stages, roughly for 2 hours each at different part of the play. This play was my first ever live theatre experience. (I know it’s unacceptable for anyone who’s in Bengaluru from long and have some degree of affection towards Art & Literature to have not visited “RangaShankara” even once. 2018 is here and you know what my goal is ;) ) 
 The stage was all set, the show was about to begin, I still doubted if we can stay all awake and survive the cold winter night in the open air with just a pull over hood.  The characters unfolded themselves and the background to each passing character was given by “Jogappa” – a person native to village who presents stories from far lands to the villagers – stories can be a piece of fiction or pertaining to real people. The whole art of story telling lies in making the story exorbitantly real and suiting to the social morals and evils so much that it becomes a part of the unheard society without hesitation. 
Stage 2-  where a vibrant drama laughter 
took place
Set up in 19th century, MalegaLalli maDhumagaLu - particular to malenaadu region - depicts the conflict in the complex traditions and the fascinating modernity, an internal fight between an individual and the society, a suppressing upper hand and an oppressed lower cadre of the society - a common sight anywhere in the world from 19th century.  There is no important character in this novel; every character has its own role to play.  The whole play revolves around these ideas and doesn’t lose its relevance to the present day society at even times.
Although the author says “No one is significant, no one is insignificant.” in the novel, to me the brave and kind heart “Gutthi”, innocence of “Aitha” and the charm of “Peenchulu” stood out! The person who played the dog character “Huliya” was immensely impressive. What an artist he is, he never hesitated to eat the soiled rice, never delayed to howl and squeal -like a dog, imbibing the mannerisms of a dog, playing the dog –which is an important role in the play.


A scene from stage 4 - place
 where the dots get connected.
However when I look at this play as a piece of art, it is the dedication of the entire crew behind and more prominently the artists- that shows up-front. Like I mentioned earlier it was freezing outside, we- audience were all fully covered top to bottom, a few had their helmets on while a few (may be from their previous experiences) had even arranged a quilt and pillows wrapping themselves in blankets, while the artists had bare minimum clothing to suit the “ಮಲೆನಾಡು” outfit from the 19th century – a blouseless Saree, a humble panchae, mostly!! The artists didn’t show a sign of chill or shiver in their body even when the cold breeze hit the mic making hushhhh noise. They were so well trained and ready that they all seemed to be super heroes at that moment, beating the cold and not showing a sign of it affecting them; their voices were so loud and clear as they delivered their verses. They ran around the place yet their voices never heaved a sigh or gasp for breath! At the stage 4 - the river scene was set up, as the play advanced there came a time when Gutthi jumps into the river in search of Huliya, oh my god! To me this was the highlight of the play. 
The End of the play where the artists were introduced!

Lighting, live music and the artists, what a commemoration of a novel in the theatrical setup of the 19th century backdrop.  I am yet to sink in the ideas behind the novel but as of now I have only given a perception per-se my vision on the play. Finally! Yes, I did survive the cold night, so did the others who gathered there. Sleep deprived for a good reason.




Powered By Blogger